Look, I don’t mean to enter this post so defensive, but last year I had the same problem. I don’t stay in the same place long enough to make a…
This is me taking a moment to congratulate one show and two companies for accomplishing what I, until this week, considered impossible: a critical dialogue in Dallas. Until “Second City…
“You are as much a member of the theater community as anyone else.” David Mamet said that about critics. I tend to repeat Mamet in conversation as if he were…
Mike Daisey is a good writer. A REALLY GOOD WRITER. His latest monologue uses his trip on the “Orient Express” as an allegory of his own journey to renewal. I…
“This house is on the list,” Meg Bowles repeats with pride in the first act of Harold Pinter’s The Birthday Party, onstage at Undermain Theatre through June 2. Not one to…
In an even more interesting turn of events, my mother and I were able to see exactly the same theatre production across the country. Clybourne Park was produced by Center…
Two men who want a vagina. Isn’t that really what Silence of the Lambs is about? Well, in Silence! The Musical, now playing at PS 122, that’s the gist of…
I rely on Jennifer to keep up with the arts in Dallas since I’ve moved…. Ok, she was doing that while I was there. But I sure do like reading…
Here’s a new one for you. Last March, the Dallas Theater Center helmed a Horton Foote Festival throughout Dallas/Ft. Worth that I covered extensively. Horton Foote was a playwright for decades…
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