I sit on my roof alone, reading The Wasteland out loud with a stopwatch, because I am both curious and competitive on the question how long does it take to read The Wasteland? I…
working on my O’Neill Critics Institute application tonight and this happened instead. What I would tell someone to impress them, as it relates to theater criticism in the span of…
Look, I don’t mean to enter this post so defensive, but last year I had the same problem. I don’t stay in the same place long enough to make a…
This is me taking a moment to congratulate one show and two companies for accomplishing what I, until this week, considered impossible: a critical dialogue in Dallas. Until “Second City…
“You are as much a member of the theater community as anyone else.” David Mamet said that about critics. I tend to repeat Mamet in conversation as if he were…
What’s that you haven’t been keeping up with my every story? Check out this fun video/story about the puppets and the magic behind AVENUE Q at Theatre Too! Here. And…
As you may know, the momentous though unnecessary event of completing a master’s degree has recently passed in my life. I spent a few weeks in Charleston where I covered…
“This house is on the list,” Meg Bowles repeats with pride in the first act of Harold Pinter’s The Birthday Party, onstage at Undermain Theatre through June 2. Not one to…
I rely on Jennifer to keep up with the arts in Dallas since I’ve moved…. Ok, she was doing that while I was there. But I sure do like reading…
Here’s a new one for you. Last March, the Dallas Theater Center helmed a Horton Foote Festival throughout Dallas/Ft. Worth that I covered extensively. Horton Foote was a playwright for decades…
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